A way to temper isolation
I thought I would start this blog as a way to talk about the process of researching and writing my articles on Aboriginal art and artists. Right now I’m working on a really ambitious piece – I’m researching a piece on the late Mohawk artist Joe David, from Kanehsatake.
It’s been slow going. I got the idea from Diane Pugen, a prof at the Ontario College of Art and Design. We met at the Aboriginal Curatorial Collective’s annual conference, which took place in Ottawa last fall.
I thought it would be a good idea to write about Joe’s art, because this year marks 20 years since the Oka Crisis, and Joe, who was behind the barricades, was written about a lot, but mostly because of his “warrior” role, and not because of his art.
At first, I got just about nowhere, emailing and calling people who might have something to say about Joe David as an artist, or images of Joe’s art that I could look at. But during those six months I managed to locate six images of art, several books and articles written by, or about Joe.
Now I’m finally making progress, thanks in part to another conversation with Diane. She suggested a number of people who will be very helpful to talk to. My first interview is tomorrow night with my friend Arthur Renwick, a Toronto-based Haisla artist and musician who used to hang out with Joe in Montreal back in the nineties.
I am relatively new to writing about art, and just getting to know the First Nations art community, so I feel pretty isolated most of the time as I work on these articles. I am not really sure of their value, and don’t have a master plan in terms of what I want to do, or where I want to go with them.
It just seems that my personality drives me to make things happen, either by creating something in writing, or by organizing events – as a student I was an activist and organized countless panel discussions and demonstrations. Now, I sometimes help put on house concerts with my husband and friends! Great fun.
When I first decided to write a series of articles I had planned to write profiles of successful Native people who are doing interesting things, and offer the pieces to a non-Native audience, in the hopes of making a small chink in the armour of ignorance that characterizes the mainstream attitude to Aboriginal peoples in Canada. Instead, I seem to be beginning to take part in the conversation about First Nations art from within that community, which is a very unexpected outcome.
I didn’t now I had anything to contribute in that way. But I guess when you love something, you usually have a unique perspective to bring to it. Let me know what you think – how you feel when it comes to writing about something that requires a lot of time spent alone.