Tag Archives: Tragically Hip

Ricochet

His words ricochet. He casts them out, they strike and, on the rebound, start to make sense. They pick up grit and dirt from skittering on roads. Bits of wood from striking against walls and glancing off trees. Words and strings of words: constellations and courage, Newfoundland dogs, a great black plate of ice. Something called winterfighter in Thompson, Manitoba; breezes turning into rivulets; treasures buried on the Paris of the prairies.

If his words come to you, they may create an image in your mind’s eye, a feeling in your heart about living here, on this land and in the city, with your feet on the street, under trees and street lamps, beneath satellites that circle around the world and back to you.

He offered poems and songs like sparks from a campfire, leaving behind flames that smoulder and catch on, enter our imagination and make us see things from the outside—bigger, more mysterious.

His words ricochet. He throws them as hard as he can into the air and fears they will make no sense. But you are alert and quick and your heart is open, so you catch them, closing your hands before they hurtle onward. You feel them bouncing against your palms, see light sparkling through openings between your fingers. The energy of words seeps through your skin, helping you understand the country, the people, your own heart. And the hearts of others, who don’t feel this country, Canada, is home. The words slow down and become softer—like a goose feather that drifts into your hand, or milkweed that flutters around your feet as you wander a field behind your house.

It was urgent for him to get the words out, to use them all up, so he sent them hurtling. But really, he only needed to open his hands and blow softly to release a butterfly of wings and meanings. We were always there, holding out our hands, waiting for them to brush our palms.

Now his work is over, and he’s left a job for the reconcilers: to be gentle and quiet so we hear voices and stories that are always told but not understood. To reach out and take hold of each other across the deep divide of ignorance and anger disturbing this country, and not let go. Even if we are strangers to each other; even if we have to walk a long way together in the cold and dark. A job for the reconcilers: to never forget the promise-breakers; the treaty-breakers. To do everything we can to build good relations and trust. To walk the sometimes cold and treacherous path along the divide, looking for places that might become hospitable; where we can build new crossings together.

On the adventure

I think it was Algonquin park
It was so cold and winter dark
A promised hibernation high
Took me across the great black plate of ice

From “The Bear”
—The Tragically Hip

In the weeks leading up to the final Tragically Hip concert, I’d been reading the band’s lyrics, watching the frontman, Gord, on video doing his weird salsa dances, wiping his face with a hanky, singing about Thompson, Saskatoon, Kingston and New Orleans. On the day of the last concert, we were travelling to south-western Ontario. All day long, every radio station played the Hip. As we drove through Kingston, it was “Tragically Hip Day” with 27,000 people celebrating the band at the stadium, in the parks and on the streets of their hometown.

Gord was reminding me how I once thought my country was that place just outside of here, where wind lifts up the waves on Lake Ontario and on Huron, the freshwater sea. How we live along the north’s southern edge, with Canada geese, deer, coyotes, chickadees, and pelicans that fly overhead like an air force squadron in a prairie summer sky. Even the groundhogs and squirrels seem freer just north of here—two hours north of Ottawa, four hours north of Toronto, 20 minutes north of Regina.

I used to think this country could be as soft and sweet as young bluebirds learning to fly in open fields, dipped in the colour of azure sky. I thought it was about us helping each other survive on the edge of land we settlers mostly can’t live on, where we would not set out alone but always with a friend to keep each other safe—self-reliance being an illusion in vast, cold places.

Then I started to see fewer stars and more satellites up above, fewer horizons and more steel transmission towers marching in lockstep into the cities, more highways with line after line of cars. Our country was under the power of a pinched, stodgy and secretive government, casting a grey pall.

There is cold, still air at the tops of pines and firs rising up along Highway 7, north to Peterborough and Highway 60 up to Killaloe. There are deep-dark green and blue lakes. But what about the shacks that pass for houses in those little towns? No one driving through can figure out how you’d make a living. For us city dwellers, these towns among the wild, open spaces represent our dreams—of living differently, leaving behind traffic and the grind of work, day after day. But maybe there, the wind that feels so fresh to us is nothing special. The pines and firs not worth thinking about. The wild strawberries for the birds. Maybe in a quiet little town north of here, you’d be looking for a signal from the shiny cities, a new transmission and current of life.

This country was meant to provide food and furs to the Empire, which sent off its traders and factors; merchants and soldiers for that purpose. Behind them came refugees, indentured servants, slaves and immigrants from eastern and western Europe, Asia and Africa. Is that our heritage? Along with beaver pelts and fish? Timber and diamonds; uranium and oil?

What about a cold stillness that hovers above the highest branches of a crooked jack pine? Or the feeling of washing away from shore in a freshwater sea nobody can see the end of?

What about Mi’kmaq, Innu, Haudenosaunee—league of six nations? Algonquins, Saulteaux, Dakota, Siksika, Dene, Haisla, Heiltsuk, Haida, Tlingit, Nlaka’pamux, and on and on? They have always been here. Since before Columbus and Cartier, and the shiploads of people searching for a home, people who mistook the land for an empty place. People who saw fields for growing wheat and potatoes instead of for hunting and fishing or for gathering medicines. People wanting fences and roads, deeds for their land, cows, pigs and sheep. Not buffalo or even Canada geese.

I used to admire the idea of Canada. Not the constitution, smug multiculturalism or nice houses and safe streets for fortunate ones. But what’s here, on the edge of things, just below where the north begins.

Gord travelled along this way, living each day, as best he could, as an adventure, travelled between the towns and cities strung like pearls along the country’s border. He happened upon wonder in roadside motels, dug up miracles hidden in shells on the shores of Lake Ontario. I think of Gord and I’m reminded of the Canada I used to love. It reappeared after a long absence: a place that listened to the Hip all day, where 11 million people tuned into a concert.

In fall, my son and I walk our dog on the street at dusk and, looking up, we see thousands of bats beginning their night travels. We hear their wings whisper, their dark singing flight, never knowing where they go or how they come back.

Perhaps Gord didn’t know what Canada is any more than I do. He wrote about it anyway and found himself on a ferry covered in ice in the Atlantic Ocean, somewhere between Nova Scotia and Newfoundland. He held hands with the girl from Thompson, Manitoba—she was so rosy-cheeked with her hair flying under the edges of her toque. He met polar bears, black bears and black ice; black and white checkerboard floors; one-third of his country singing for him in darkened halls, taverns and city streets on a Saturday night.

The adventure is touching the icy border where it all begins, feeling cold air come down from the roof of the forest. The adventure is driving to unexpected places, where little towns are falling apart and no one can figure it out, how do they survive up here? What do they hear in the wind?

August 26, 2016
Ottawa, Ontario

What is reconciliation? The stranger

Don’t worry, he’ll still be here, walking Toronto’s sidewalks in ten years’ time. Stopping to hug a stranger who puts a hand on his shoulder and opens her arms. Like her, we need someone to hold hands with, the way he held Pearl Wenjack’s hand. Someone to hug and kiss the way he kissed his bandmates and hugged them close.

It’s quietness, that’s his trick. Silence where you hear soft voices and gentle breathing, the first opening of trust. You might not know it’s arrived. As you may not realize that Gord’s walked by. Just another guy in a jean jacket and toque. Scraps of paper in his hand and spilling out of his pockets. His brother walking beside him, arm around Gord’s shoulders. Sound of boots on the sidewalk, air moving aside as they pass.

It won’t matter that time passes if you carry the memory of his kisses with you. How he kissed his bandmates on the lips. If you can still imagine how it would’ve felt if he hugged you – he gave so many hugs. Gord didn’t need to write those memories down. He carried them inside of him and on his skin and clothes. He’s passed on, but he’s still here. You’ll have to watch and listen for that friend you used to know ten years ago. He might be downtown. A guy walking by. You don’t want to mistake him for a stranger.

In his time, he tried to reconcile with the ones he loves; tried to make this place the country of his dreams. In his heart, he held a little girl’s hand, a child needing help finding her way back home, from being lost; home to sounds of the TV, her favourite couch and her mother’s arms around her. In Toronto, he walked with his own daughter, their arms intertwined, holding her close. You could hear their footsteps and soft laughter; see long shadows of skyscrapers at sunset as they wandered home.

You’ll run into him one day outside a café perhaps, and he’ll wrap you in his arms. You’ll feel rough denim on your cheeks and his jacket’s buttons pressing in. Your tears will fall on his sleeve and his hat’s feather will brush your hair. It will be as if you’ve just returned here from a long time away, to this sidewalk, this bright window, the cool softness of his cheek.